With restrictions easing up, many Filipinos are raring to enjoy art in its numerous forms. Museums, art galleries and theater have reopened this year, resulting in an explosion of artistic works that is available to the public.
Aliw Theater has also reopened its doors this year. But more than just the making the facility available to the public once again, the opening marks the rebirth of the complex following damage from a major fire in 2019.
“I feel very encouraged and happy that our home has been restored and that the theater complex is an even harder working venue that is capable of so much more,” shared Lisa Macuja Elizalde, CEO and creative director of Ballet Manila, the classical ballet institution and dance company that calls Aliw Theater its home.
As the flagship facility for events within the Elizalde Complex, the newly renovated Aliw Theater can support concerts, theatrical performances, corporate events, and all types of shows.
The main theater, which had over 2,000 seating capacity before the fire hit the complex in October 2019, has been adjusted to 1,275, which is the optimal capacity in the new normal. This is complemented by modifications on essential theater features for audiences’ better viewing experience such as new top-of-the-line lights and audio equipment, and brand-new seats and carpets.
The most significant upgrade in the theater is the addition of an on-stage 36 ft. x 15 ft. LED screen in the main theater.
The reopening of the Aliw Theater will also mark the return of Ballet Manila’s performances.
“La Traviata will be performed on October while Cinderella will be the highlight in the Holiday Dance Series beginning Christmas Day. Meanwhile, the performance season will start on 2023 with British choreographer Martin Lawrence’s modern take on “Romeo and Juliet” on February 18-19. This will be followed by “Don Quixote” on May 27-28, and the season will close with Gerardo Francisco’s “Ibong Adarna” on August 19-20.
With the totally upgraded Aliw Theater and the reignited fervor of her dancers, Macuja-Elizalde affirms audiences can look forward to more enjoyable and memorable performances “More than ever, we really need people’s support. Come and watch our performances in Aliw Theater. It’s been too long, and we really miss you!” Macuja-Elizalde concludes.
